High bit technology in the CD player
Here are the characteristics of a metronom 14 CD player, which has two of the tried and tested converter TDA1540, brought into a comparison with a modern high bit converter.
This high bit converter is installed in CD players in the four-digit euro range, but is just as in video players for around 100 euro to find.
On the left side of the picture, a transistor for the muting is visible at the top and bottom, which last sit in front of the cinch sockets at the output.
To the left of the edge of the picture are a transistor for the signal path in front of it, to the right of each channel there are 2 black resistors and 1 capacitor forming an analogue low-pass filter.
There is no preparation by further amplifiers necessary.
Thanks to the DC control, a coupling capacitor in the signal path is superfluous.
With its integrated digital filters, its amplifiers, and the removal of harmful DC current, this converter eliminates the need for many other components, resulting in significant cost savings.
In the high-priced reproduction devices surprisingly still further amplification stages and voltage followers (Buffer) are found, partly also with tubes.
Their task is to give the device an individual touch by changing the original signal.
With sound neutrality, such measures have nothing to do.
On paper, the converter developed 30 years after the TDA1540 has advantages: a higher bitrate, a larger dynamic range and the developer-attractive "finished" audio output with a defined 2 Volt output.
This is practical in that it does not need its own development.
However - and this is one of the decisive disadvantages - no longer possible.
Other advantages allegedly relate to resolution and dynamics - but only theoretically and also not to be confused with the amount of detail or fine drawing.
For example the higher sampling frequency of 192khz:
The higher resolution refers to an extension of the frequency to 96khz (Nyquist, sampling frequency equal to at least twice the playback frequency)
- A frequency extension in which no usable information in the digital music end product are included, which is not recorded in the recording of music by physics underlying microphones and which can not be detected by the human auditory sense.
Only dither can be found in the extended frequency - in the digital data processing finally added digital noise.
On the other hand manufacturers of audio electronics turn in the indication of ever larger values โโof the distance of noise to the signal as quality feature.
Music achieves a maximum dynamic range of 80 dB.
The human voice has a dynamic range of 40 dB.
The dynamic range of the TDA1540 with its 94 dB already offers a large unusable reserve and achieves a practical 118 dB dynamic range.
With the digital music reproduction it has no effect to increase the dynamic range on the paper ever further.
Especially if a natural timbre is put into the background.
An advantage is offered in the studio alone in the digital signal processing, it facilitates the sound engineer the work, for example to avoid overloads in the final product.
Also the size of the data window (1 bit, 28 bit, 32 bit) with which the digital music is transported is not related to a better musical result.
Unlike an increased sampling frequency, an increased bit rate does not harm the rendering result, at least - it's of no use.
See also: Xiph.Org Foundation
The Xiph.Org Foundation is a non-profit corporation dedicated to protecting the foundations of Internet multimedia from control by private interests.